BIRDS OF America is not a cinematic version of Lorrie Moore's best selling collection of short stories by the same name. This little tale of a dysfunctional family was written by Elyse Friedman, a Canadian novelist and screenwriter (Then Again, Long Short Story, Waking Beauty) whose works are summed up by the author: "If I had to sum up my characters in one word, I'd say 'outsiders.' There's not one particular source from where I get my inspiration. It comes from different places. I get it from life, and ideas pop into my head. I file them away and sooner or later it's time to deal with them, whether in screenplay, book, or poem or whatever it happens to be." Craig Lucas (Longtime Companion, Prelude to a Kiss, The Dying Gaul) joins Friedman in bringing this strange little story about outsiders and insiders, all living together under one bizarre roof.

Morrie (Matthew Perry) is the older brother who raised his free-spirited siblings Jay (Ben Foster) and Ida (Ginnifer Goodwin) after the death of their parents. Their lives have gone in different directions: Morrie is a professor in line for tenure that happens to be at the mercy of his fellow academician Paul (Gary Wilmes) who lives next door to Morrie and his sturdy but 'it's time to start a family' wife Betty (Lauren Graham). Paul and his obsessive compulsive gardening wife-new-mother Laura (Hilary Swank) do all the right things, a trait Morrie and Betty try to emulate to assure Morrie's getting tenured, a move that will assure Betty that motherhood can be approached.

Into this strained atmosphere drops Jay recovering from an accident (he lay on the freeway and was hit but not killed). Alone (he is married to a young girl Gillian (Zoë Kravitz) but does not share this information at first) Jay moves into Morrie's attic and continues his strange life pattern, imposing his Vegan style on the family and eventually inviting his equally looney sister Ida to move in, too: Ida takes the basement. The two siblings proceed to cause minor crises and dilemmas for Morrie, more or less resulting in Morrie's being alienated from his 'important' neighbors. How Morrie and Betty adjust to their new found way of life and its consequences provides an ending to the story.

The film is slight and begs indulgence in some of the sidebars that are less than contributing to the film as a whole, but the cast is very good: Ben Foster and Ginnifer Goodwin continue to impress as they polish their acting skills. The story is a little on the crazy side, but it does provide another way of viewing a dysfunctional family.

Grady Harp

Not a great movie, and certainly not as funny as the people who made it seem to think it is, but it still creeps up on you, and you find yourself rooting for these characters, even while you're getting slightly annoyed by them. Pulling together a really terrific cast is a triumph in itself, and if the end result isn't a home run, it's still a decent double, maybe even a triple. I grabbed this off the Hollywood Video shelf based totally on the cast, especially Ben Foster (LOVED him in Barry Levinson's Liberty Heights, and of course Six Feet Under). While I thought it could have been more, especially with Craig Lucas at the helm (and I was surprised that there was no gay characters at all), it wasn't a terrible way to spend a dreary Monday night when there was nothing to watch on TV.

You might be getting a little tired of movies about dysfunctional families. I know I am. I think I've seen at least three at Sundance this year. But Birds of America manages to break the mold and feel fresh and alive from the outset, delivering a warm, funny, zany, tender and compassionate film that left the audience smiling and satisfied.

Morrie (Matthew Perry) is an uptight university professor anxiously seeking tenure, which requires the approval of his department head, who lives next door. Morrie and his wife Betty (Lauren Graham—Gilmore Girls) live in a house he inherited at 18 years old after his mother died and his father committed suicide. As a result, Morrie raised his brother Jay (Ben Foster) and sister Ida (Ginnifer Goodwin), both of which grew into their problems. Ida is substance-abusing and promiscuous, and Jay a deeply gentle and sensitive soul whose actions are almost completely unfettered by advanced thought. They reunite in the family home when Jay gets run over by a car (he was laying in the road) and Morrie, who still feels more parent than brother, asks him to move in for a while. Without asking permission, Jay invites Ida to join them, stressing Morrie and Betty's relationship and jeopardizing his career with their outrageous behavior.

Matthew Perry is surprisingly good in his deadpan portrayal of an overwrought brother who cares deeply for his siblings, often at his own expense. Goodwin is a pleasure as well, as the addictive personality with the carefree spirit. But Ben Foster (3:10 to Yuma) is great, and despite having such a naturally funny role, manages to never play Jay for laughs, creating an endearing and memorable character. Growing up without parents, these three have formed an unbreakable bond, with unconditional love and acceptance, and a tenderness and compassion unlike any I can remember in movies. Elyse Friedman has crafted a remarkable script, and Sundance veteran director Craig Lucas (Secret Lives of Dentists, The Dying Gaul) brings it to life with a funny but light-hearted and gentle touch.