Considering their target audience, youth issues tend to be a major theme in manga and anime. The animated format moreover tends to give creators rather more freedom to experiment with fantasy elements that can explore deeper underlying issues. Directed by veteran animator, Keiichi Hara, COLORFUL for example manages to touch on an important subject with a message that is perhaps rather more difficult to reach a younger audience through conventional live-action drama. That subject is teenage suicide.

Passing through the transit between life and rebirth, a dead soul in danger of obliteration is given another chance to reform and regain the right to rebirth. Brought back into the realm of the living, the soul is reborn into the person of Makoto Kobayashi, an artistically-inclined 14 year-old boy who has just attempted suicide. With the assistance of Purapura, a guide in the afterlife, the 'new' Makoto considers why someone from a seemingly happy family attempted to kill himself and tries to pull the young boy's life back together. COLORFUL is literally a 'finding yourself' film that considers the challenges facing young people who are finding it difficult to cope socially, to fit into the world and deal with the problems of friends, family and relationships.

The fantasy element of the film isn't the most convincing, but it does have a powerful pay-off at the end and it undeniably finds a unique way to tap into the mind of a young alienated individual and how he might respond to the world, particularly one who has been driven to attempt suicide. Keiichi Hara uses an animation style that is reminiscent of GRAVE OF THE FIREFLIES in how it touches obliquely but incisively on the challenges facing youth. One seemingly irrelevant sequence based around the disused 'Tamada' trolley car, for example, is just beautiful and transformative. Using such techniques COLORFUL manages to cover a wide range of difficult issues and personality types in a realistic fashion and offer some measure of sympathy and understanding for its characters. It manages to do so moreover without ever becoming sentimental or talking down to its audience.

Based on the novel, by Eto Mori, Colorful is made by the veteran animation director Keiichi Hara. The movie was a project suggested by Sunrise's president Kenji Uchida to director Hara, and took five years in the making, beginning from their first meeting.

The movie is absolutely stunning in its production. I give lot of credit to director Hara for all the attention to details he's put in. His experience shows, and his clout in collecting the best talent is also evident in the people he's gathered to make this movie.

You really need to see this movie to appreciate the story, and the artistry. Never since the days of original Disney's animation, have an old school animation movie made with such high level of artistry.

This is a modern day classic, and worth every minute of your time to see it.

By now, I guess we've all accepted Japan as a No.1 driving force in animation. And just when You start thinking that someone with so much recognition would get lazy and spoiled, that's where the Japanese prove you wrong. "Colorful" is yet another fine example of that greatness.

I've always wondered how could an animated film, which by western standards is designed for babies, could get so much dept and touch as many crucial life's questions. Well, the reason lies in the fact that Japanese do not make just baby cartoons like Pokemon, but also have a very fine and distinguished selection of animated films which could easily fit a 50 year old person, just like a teenager at the same time.

"Colorful" is an anime drama which deals with a very painful and yet very present phenomenon in modern society - suicide. Many people feel they reached the end of the road, and more and more of them are getting younger over the years. A young man decided to take his life away, but against all odds, he gets a second chance - to relive a life of another young man who took his own life. During this period of reincarnation, the main character tries to discover his new persona, surrounding, people around him and the reasons why Makoto, the boy in whose body the spirit has reincarnated, has taken his life. Like this, he also started do discover and understand himself. Until the end, he will succeed. Beside the theme of life and death, "Colorful" illustrates several other important issues in the Japanese society - social relations, traumas, family issues and the value of friendship.

The story is tough, often dark and grim, yet it has such a profound depth which will keep you watching "Colorful" until the end. And boy is the end unexpected. Watching this brilliant anime made me feel like reading a novel, and that's pretty much the best thing a motion picture can do.

"Colorful" is a substance dedicated to the Japanese 14-16 youth, but it can easily be understood and liked by an adult. And when you compare this brilliance to the teenage shows in the US, like Hannah Montana or Jackass, you realize the major difference between cultures. In Japan, cartoons can also be educational, while in the US and the west, it's a form of cheap shallow entertainment for kids, who seem to mature later and later.