My wife and I watched American Fiction (2023) in theaters last night. The storyline revolves around an author/school teacher navigating a professional transition, personal family tragedies, and a budding relationship.

Directed by Cord Jefferson in his directorial debut and featuring Jeffrey Wright (Westworld), Tracee Joy Silberstein (Black-ish), Issa Rae (Insecure), Keith David (Requiem for a Dream), and Erika Alexander (Get Out).

This film stands out as a well-written gem. It offers a multi-layered narrative, addressing societal stereotypes along with deep subplots exploring family dynamics, sexuality, self-discovery, and the challenges of aging parents. The cast's amazing chemistry and perfect interactions elevate the viewing experience, with Jeffrey Wright delivering an authentic and impressive performance that perfectly embodies his character. The storyline unfolds with impressive twists and turns, delving into various intriguing subjects within society and cultures.

In conclusion, American Fiction is a smart and well-crafted film, an absolute must-see. I would give it an 8/10 and strongly recommend it.

It's mostly a drama with sharp satire embedded within. Thelonious "Monk" Ellison is an African American creative writing professor at a college in Los Angeles. He's known for writing good-quality literary fiction that has not sold well. He plans to attend a book convention in Boston, where his mother, Agnes (Leslie Uggams), and sister, Lisa (Tracee Ellis Ross), live. Lisa is a physician and lives with Agnes, who is suffering from dementia. His brother, Cliff (Sterling K. Brown), is a plastic surgeon in Tuscon, Arizona. His wife divorced Cliff when she caught him in a male relationship.

Monk's college puts him on leave because of some controversial interactions with students, so he's destined to spend more time in the Boston area than he intended. He meets another African American novelist at the convention. Sintara Golden (Issa Rae) also has a very polished educational background and works as a reader for a major publisher. She's written a novel that utilizes African American stereotypes that Monk detests. He decides to write a trashy satire of such books and orders his agent, Arthur (John Ortiz), to submit it to publishers. A major Anglo-Saxon-run house loves because of its stereotypes, and Arthur convinces Monk to play along. He does, but with conflicted feelings that create difficulties in his relationships, including with a new girlfriend, Coraline (Erika Alexander).

"American Fiction" follows the trajectory of Monk's novel as it enters high-level literary discourse. The story provides three alternate endings. I liked the first one.

I found "American Fiction" to be a brilliant film. On one level, it unfolds the drama in a high-achieving family from the perspective of Monk, an inhibited, closed-in personality who has trouble exposing himself to others. On a second level is the razor-sharp satire of White preoccupation with African American stereotypes. The story moves along briskly. All the members of the Ellison family have distinct, well-developed personalities. The script and direction are first-class. I liked this film much more than the Roger Ebert reviewer.

Greetings again from the darkness. From one who watches too many movies every year, I'm amazed this film is the work of a director making his feature film directorial debut. Writer-director Cord Jefferson was one of the lead writers for the excellent series "Master of None", and he has adapted the 2001 novel "Erasure" by Percival Everett for the big screen. It's a brilliant satire and commentary on a society that has twisted things to the point where no one knows what to say or how to say it.

The film opens with a college professor pushing back on a student's overly emotional reaction to his use of a certain word in class. What strikes us in the scene is that the professor is black and the student is white. The confrontation costs Thelonious "Monk" Ellison (the always great Jeffrey Wright) his job at a New England university, and perfectly sets the stage for the rest of the story - much of which centers on Monk's incredulity at the progression of events around him.

Without a steady teaching paycheck, Monk heads to his see his agent Arthur (well-known character actor John Ortiz), who informs that his most recent intellectual book has no market, and suggests he write something a bit more mainstream. Monk heads to the Boston book festival and hears author Sintara Golden (comedian Issa Rae, BARBIE) in a public reading of a particularly stereotypical excerpt from her latest best-seller, purported to telling "black stories, our stories". Monk simply can't believe there is an audience for this or that it passes for black representation.

On a lark, Monk sits down to crank out a "black" story by a black writer. He does so as a joke, and is shocked, and a bit annoyed, that a publisher comes back with a huge offer. The negotiations with the publisher are hilarious. We see two white professionals desperate to offer a cool black book, yet so afraid to say the wrong thing (something offensive), that they inexplicably agree to Monk's terms ... changing the title to an unpublishable curse word. As a bonus, Monk has published the book under the pseudonym Stagg R. Lee (a takeoff on the classic Lloyd Price song). The publishing deal requires Monk to assume the identity of a wanted fugitive as part of the backstory for marketing purposes. When the movie offer rolls in, Monk is again beside himself, and states, "the dumber I act, the richer I get." While all this is going on, Monk is also facing some struggles in his personal life with his mother (80 year old Leslie Uggams, "Roots") who is struggling with dementia, his financially-strapped sister Lisa (Tracee Ellis Ross, Diana's daughter, THE HIGH NOTE, 2020), and brother Cliff (Sterling K Brown, WAVES, 2019, "This is Us") whose recent divorce was caused by his revealing his preference for a gay lifestyle. All of this for a family whose dad committed suicide years ago. In the midst of all the family and professional drama, Monk strikes up a relationship with Coraline (Erika Alexander, GET OUT, 2017), a neighbor across the street, though he can't bring himself to come clean with this latest publishing scheme.

The best comedies have something to say, and the best satires are often quite cynical as they expose the absurdity of our world. Monk is dumbfounded at many of the same things that dumbfound us, and this peaks at his meeting with an aptly named movie producer, Wiley Valdespino (played by Adam Brody, READY OR NOT, 2019). Myra Lucretia Taylor (THE BIG SICK, 2017) has a supporting role as the housekeeper, and there are too many terrific scenes to count. One of the best is a debate between Monk and Sintara, and the writing is priceless and brilliant. An intelligent man like Monk cannot wrap his head around the fact that black books pandering to white readers who are trying to follow the rules is the new path to success. Filmmaker Cord Jefferson delivers the message (warning?) in a smart, funny movie featuring a wonderful lead performance by Jeffrey Wright.

Opening in theaters nationwide on December 22, 2023.