If you love horror, you must love the eighties. That's almost a given thing. Have you noticed how, recently, homages and references towards 80s horror aren't just used as a gimmick anymore? 80s throwback horror has now even become an entire sub genre on itself! The successful show "Stranger Things", and the remake of Stephen King's "It", are undoubtedly the most famous examples, but there are many other equally enjoyable but slightly more obscure titles as well, like "Summer of 84", "You might be the Killer" and "The Final Girls". "Beyond the Gates" also qualifies in this category, with a good old-fashioned video store setting, a phenomenally catchy synthesizer soundtrack and an authentic contemporary scream-queen in the shape of the wondrous Barbara Crampton.

The plot can shortly, simply and aptly be described as an amalgam between "Jumanji" and "Hellraiser". Two estranged brothers gather in the abandoned video store of their missing father, and in the back room they stumble upon an interactive VHS board game called "Beyond the Gates". The game's hostess, the still-ravishing Mrs. Crampton, addresses herself directly to the brothers via the screen, and they soon realize that playing the game will lead to solving the mystery of their father's disappearance. But, at what cost?

I can safely say that I like "Beyond the Gates" a lot more than most people. I really dug the moody and borderline melancholic atmosphere, and the unknown (to me, at least) actress Bea Grant is terrific as the oldest brother's girlfriend. Admittedly, the film is heavily flawed. The pacing is incredibly slow, and particularly the first three quarters are very uneventful. Apart from the three main characters, and Barbara on TV, there are also very few supportive characters, so it's not too difficult to foretell who dies and who survives. But hey, the body count may be low, but at least they die spectacularly and quite gruesomely! Most of all, though, check out the soundtrack! Me, I left the DVD-menu playing for an additional two hours, just I could hear that great tune in the background.

Two estranged brothers, Gordon (Graham Skipper) and John (Chase Williamson), reunite to liquidate the assets of their missing father's video store. As they sort out the contents of the shop, the brothers discover a strange old VHS board game—Beyond the Gates—that seems to have some connection with their dad's disappearance. Together with Gordon's girlfriend Margot (Brea Grant), they pop the game's tape into the player and are greeted by a mysterious woman (scream queen Barbara Crampton) who guides them through the horror that ensues.

Take the basic premise of Jumanji and give it a horror twist, and what you have is Beyond the Gates, except that Jumanji was, and still is, a whole lot of fun (despite some horribly dated CGI effects), whereas Beyond the Gates is a crushing bore for most of its running time, with long periods where absolutely nothing of interest occurs (the first 45 minutes are a real test of patience). About the only things the film has in its favour are a few decent gore effects (best being an exploding cranium), a cool synth score, and Grant's impressive rack (the actress wears a tight vest but fails to do a Crampton, keeping those puppies under wraps).

It has the vibes of Hellraiser and some of Fulci's "Gates of Hell" trilogy, mixed with some obvious similarities to Jumanji (though purely owing to the subject matter) but with some nice comic touches, which allows the movie to get away with a few of its budgetary constraints.

Our central characters, Gordon, John and Margot, play a retro VHS board game and unlock a gateway to some dark netherworld, in an attempt to discover what happened to Gordon's missing father. Needless to say opening such portals can only lead to trouble!

Fortunately for us, trouble of the gruesome kind.

The film is very much an homage and tribute to many things from a previous generation of entertainment, such as the board game, the VHS rental store and some cool gore effects which nod to the era of the video nasty. This is its strongest element because the story and setting is a tad threadbare, without feeling amateurish.

Fans of the genre and such from-the-heart productions are bound to enjoy what this film has to offer as it nicely projects the infectious sense of fun and creativity that led its creators to make the film in the first place.

It's not going to change the world of horror as we know it but I bet it will inspire other startup movie-makers to make that movie they have in them.