As a fan of Sherlock Holmes and of Basil Rathbone, I thoroughly enjoyed this movie. The plot is very silly, but is compelling enough and enjoyable throughout the whole duration. The film is well paced and well directed too mostly, while the production values are very nice. The photography, scenery and costumes are beautiful, but what I loved most about Sherlock Holmes was its evocative and haunting foggy London atmosphere. The script is of top-notch quality as well, often intelligent, funny and sophisticated.

The acting I had no qualms with either. George Zucco is an interesting Moriaty and does really well of not being too sinister or too hammy, his performance was a nice balance I felt. Nigel Bruce is decent as Watson, though I can see why people are annoyed by his interpretation of the character. I liked the enthusiasm and blimpish bluster Bruce gave, but there are times here when he does come across as a little too clownish. However, he does have some believable chemistry with Basil Rathbone, who is just superb as a more charismatic and sophisticated not to mention very eloquent Holmes.

Overall, a lot of fun and a case of where any minor flaws are completely overrided by the many strengths. Recommended! 9/10 Bethany Cox

Every great hero needs at least one arch enemy that nearly is his equivalent in intellectual faculties and ingenious working methods. For Sherlock Holmes this nemesis is Professor Moriarty and the fact that he appears in this film first, moreover portrayed by the more-than-brilliant cult star George Zucco, makes "The Adventures of Sherlock Holmes" maybe the single best entry in the long-running Basil Rathbone/Nigel Bruce movie cycle! The sublime interactions between Holmes and Moriarty lift the quality of this film up to an higher level and, for the first time ever, you get the impression that our master detective is up against an opponent who really forces him to use ALL of his intellect for once. Almost purely for the fun of it, Professor Moriarty decides to embarrass Sherlock Holmes and steal the hugely valuable crown jewels right from under his nose. Through well thought out red herrings and distractions, Moriarty manages to confuse Holmes and to mess up his sense for priority, giving him with a perfect opportunity to steal the jewels. This installment is less of a horror film because the emphasis merely lies on the nuanced acting performances as well as on the light-hearted rivalry between Holmes and Watson. The Victorian setting & timing is excellent, and you should enjoy it as much as you can here, because the series got uplifted to the actual 1940's after this, resulting in a lot of redundant wartime propaganda. Basil Rathbone and Nigel Bruce are splendid as usual, but the show is undeniably stolen by George Zucco in his familiar role of criminal mastermind. Particularly the sadistic yet sophisticated conversations with his butler are pure class. The only elements that slightly disappointed me was the rushed and action-packed ending which stands in contrast with the rest of the patiently scripted story. Nevertheless, highly recommended!

Released in the landmark movie year of 1939, this is my favorite Sherlock Holmes film. It is set in the proper period, has a reasonable budget, excellent sets, and fog so thick one would have to cut it with a razor. The story has to do with Professor Moriarity's scheme to steal the crown jewels. More than anything, however, the movie is a vehicle for Basil Rathbone and Nigel Bruce, whose interpretations of Holmes and Watson are so engaging and larger than life that several decades later actors are still compared (usually unfavorably) to these two whenever they attempt to take on these roles. Rathbone makes an impressive Holmes,--cunning, gentlemanly, high-minded, somewhat competitive, intensely focused. One of the many things that makes Rathbone so perfect as Holmes is that while he may fall short of the mark in his portrayal of the character Conan Doyle created in print, he is an ideal movie Holmes. There's an heroic quality to him. Rathbone was more than a bit of a swashbuckler on screen, as is obvious in his many duels with Flynn and Power, and he brought some of this edgy, assertive quality to his interpretation of Holmes, and as is so often the case when an actor varies somewhat from a character created in fiction (Bogart is a far cry from Hammett's "blonde Satan" of a Sam Spade), this can actually work in his favor. Rathbone is Hollywood's Sherlock Holmes, and I can't imagine a better one. Bruce often played Watson as a bumbler later in the series, but in the early entries was more serious and competent. His movie Watson is overall somewhat comical, and creates a charming contrast to the grim, determined Holmes, and works for me because I like a little respite from the seriousness of a mystery, any mystery, since the genre is melodramatic, and hard to take when it gets too heavy. With Bruce on hand it never does.