This is a story told more as an expression of feelings and mood than as an exposition of a finely crafted story. In other words, this is a showcase for the actors more than the writers. Should you approach this film with a need for any more than a bare-bones plot, you will likely leave disappointed. But not every work depends on intricate story details to work effectively. The Other Half tells the story of a relationship between two rather damaged but nevertheless lovely individuals, Emily (Tatiana Maslany) and Nickie (Tom Cullen).

Nickie's damage seems to arise from the loss of a close family member which has traumatized him and his entire family. As in many such cases, he is drawn to someone with problems of her own, in this case Emily, an ebullient artist who suffers from bipolar disorder. For me, The Other Half's strengths lie in making us care about these characters and showing their incredible connection. That Maslany and Cullen are partners in real life inevitably adds to the chemistry between them on screen. The depiction of two young people trying to make a life for themselves starting with almost nothing, attempting the painful process of separating themselves from their parents made me feel nostalgic for a similar time in my own life.

Finally, Tatiana Maslany once again proves herself to be one of the best and most versatile actors working today. She disappears into this role making me fully believe in this character. Having seen her in Orphan Black playing upwards of 20 parts, I was amazed to see her in this film as completely distinct from any of those characters and heart-breakingly emotionally vulnerable. Tom Cullen is likewise engaging, though I feel that the screenplay leaves his Nickie a little too opaque. I get that his numbed expression near the beginning is his expression of grief, but I would have preferred a touch more light shining through to validate Emily's falling so hard for him.

This is a film that operates at its own pace. It will reward the viewer who is willing to slow down, and and take it in moment by moment.

Face it. Not everything is pretty pictures. This is a difficult story - but one that deserves watching. The feel is gritty. The story is told in it's own time. You won't find a Hollywood tale here. The portrayal of life outside of the frames of the pretty happy, works of Emily is engrossing. Don't look for something simple here.

Would have gotten much more out of this dialogue driven film if the dialogue was more clearly enunciated; with higher clearer volume levels (I had to double my usual volume level just to capture some of the words.) Of course the producers failed to pay the small additional amount for subtitles, nor any Special Features to allow the viewer to explore the film's origins or importance to it's participants. Cheap!

Tatiana Maslany's character's mental condition could have been explored more intelligently as well as shown cinematically more clearly. It should have been the focus of the story rather than the other, other half - Tom Cullen's character which turned out to be just as obscure. The film jumps about giving us brief shadowy bits of each person's life to assemble on our own which if lucky sort of works, otherwise good luck. True to her self, Tatiana's acting is the most redeeming part.