While in Wales visiting her husband James (Sean Bean), Adele (Maria Bello) tries to fix her relationship with her teenager daughter Sarah (Sophie Stuckey). They see a weird memorial without the plate and with the name "Annwyn" marked, and the local Dafydd (Maurice Roëves) explains that this would be the place where people go after dying in accordance with the Welsh mythology. Later, Sarah vanishes on the beach and the daughter of the local fanatic shepherd, Ebrill (Abigail Stone), who died fifty years ago, appears in her place. Adele makes a research trying to find how to rescue her daughter from Annway.

"The Dark" begins as a promising suspenseful horror movie, but first of all, the mystery is disclosed too early. In accordance with the free encyclopedia Wikipedia:

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Annwn or Annwfn, ("under-world" or "un-world", sometimes inaccurately written Annwyn, Annwyfn or Annwfyn) was the Otherworld, the land of souls that had departed this world in Welsh mythology. Ruled by Arawn, or much later by Gwynn ap Nudd, it was essentially a world of delights and eternal youth where disease is absent and food is ever-abundant. Annwn was said to lie so far to the west that not even Manawydan ap Llyr had found it, for you could only reach Annwn by dying yourself. It was also said, though, that Annwn could be entered by those still living if they could find the door.

unquote

Although being based on a Welsh mythology that I am not familiarized, that is not the problem of this movie, but the confused screenplay after the plot point. It is never clear who came back in the end (Sarah, Ebrill or an evil entity?). Nevertheless the good performances of the cast, the very reasonable special effects, the beautiful landscapes, the conclusion spoils this promising good movie. My vote is six.

Title (Brazil): "Escuridão" ("Darkness")

Sean Bean is such a lost talent, he's a great actor and never seems to be given a decent or lead role. Even in Lord of the Rings he was cast as the turncoat. So I was excited to hear that he was the lead man in this movie, although not the lead it was a good step. Plus it was a British film and a horror. These things all combined to make me think that this was a movie to see.

Both Bean and Maria Bello are very convincing in the movie. Bean plays the straight up man who is confused by the happenings around him and just wants to make the family happy again, he plays a super convincing Father. Bello gives a great performance as she is called upon to be a trying mother, confused, insane, panicked and totally distraught. Not that much of a range really! The interplay between these two actors is very good, and when Bean has scenes with the daughter, he's just superb.

Something that becomes quite annoying through the first half of the movie are the deliberate scare tactics used by the Director, they are exceedingly formulaic and you know when they are coming and even when the shock comes. Still, all credit to them, you still leap out of your chair even knowing when a scare is coming. The formula is pretty constant through the first half, slow music, a long single scene, slow movement and no action, usually in the darkness, then a few fast cuts together accompanied by a loud sound and a raise in the music tempo, and there you have the scare. During the screening people were leaping like mad! After a while following this formula the film does turn around on itself and become something different. It's here that it becomes a lot more psychological and indeed, clever. There was a big feeling in this half of Event Horizon, particularly the flashbacks to being strapped in the chair, fast, multiple cuts of horror.

However during the latter half it also becomes confusing and very weird, yet I wish the whole movie had been like this. It could have abandoned its standard scare tactics and concentrated on the plot in the latter half, and this would have provided for a much more psychologically scary movie.

There's a particular moment near the end of the movie when a door closes in front of the lead, and your emotions are totally with the character at this point. Confusion for a few seconds and then a slow building understanding. It's a very good moment.

Still, however clever the entire ending is, I still felt it lacked clarity and subtlety. Dropping the scare formula of the first half would have brought a much better movie, and getting rid of the premise of scary sheep would have helped too. Perhaps it's a British thing, but sheep are not in the least bit scary, in fact coming from a Northern Scottish town sheep are considered far from scary. It just seemed to be a plot device that was struggling not to be absurd.

That said, you'll still leap, you'll still be scared, and when the film finishes you'll still like the conclusion.

The most disappointing thing about this movie is sound FX work. While every other crew member tried to avoid clichés and worked minimalistic the sound operator did his best exactly in the opposite direction. Sure he was proud of himself - every possible library sample from "Horror FX" folder (squeaks, boos, bangs and so on) has been employed at times "to make it scarier".

Otherwise the movie is surprisingly good. Cold and dark Welsh mythology, no fun. Acting is full of nuances. Scares are delivering (reminded me feelings of "Ju-on" (Japanese original of "The Grudge")). No major holes in script, everything is logical, worked in great detail. The climax is overloaded a bit with twists, but except the last one (too confusing way of depicting it) is impressive anyway.

My deepest respect to the cameraman for that catch of the Northern landscapes beauty, for the tricks with focus, for many unusual angles and meaningful use of color FX. That chapter in Annuun treated in sepia is simple and convincing - bravo!

8 marks for the well-worked atmosphere, fresh scares, interesting story, eye pleasures, serious attitude and creativity.