Storywise "Sint" is kind of a rip-off of the killer Santa classic "Silent Night, Deadly Night", but the comparisons end there. While the latter is only still around because it's laughably bad, this one has actual redeeming features like a dark, moody atmosphere and a little bit of humour at exactly the right times. Writer/Director Dick Maas loves to toy with our expectations and every guess you'll make about the story developments will probably be wrong. For instance, you think tremendous hottie Caro Lenssen will serve as the Laurie Strode of this story and the finale will be her fighting off the unstoppable villain, but in fact she barely comes into play in the rest of the story (unfortunately...). Our final girls are an old drunk and a sex-crazed teenage boy, that's pretty creative to say the least. The production values of this movie are also surprisingly high. For a movie that "only" cost four million to make, the effects look pretty amazing. The killings are just relentlessly gory, Dick Maas definitely burned the candle on both ends to disgust his audience. "Sint" is one of those rare horror comedies that manage to be both scary and funny, most can't even get one of the two right. A thrilling ride.

Sint Niklaas, or "Sinterklaas", is a typically Dutch and Belgian tradition that occurs every year on the 5th and 6th of December. The legend states that, on his own birthday, the noble Saint rewards all the well-behaving children with toys and candy. When the children are asleep, the heavily bearded man walks over the rooftops on his white horse while his black assistants drop the presents down the chimneys. Does that sound vaguely familiar? Well actually, Sint Niklaas formed the inspiration for the universally acknowledged jolly figure of Santa Clause. The first Dutch immigrants in the United Stated re-implemented their national tradition oversees and linked it to the Christmas period. There, now all you non-Dutch speaking people with an interest in this film have some essential, need-to-know trivia about the titular character.

About the plot of "Sint" I can be rather brief. You know all the concept of US horror movies with a psychopathic Santa Clause, like for example "Silent Night Deadly Night", "You Better Watch Out" and "Santa Slay". Well, "Sint" is exactly the same. Writer/director Dick Maas (the only true horror prodigy of The Netherlands) wants to make us believe that Saint Niklaas wasn't a holy and generous figure, but a sadistic tyrant who plundered villages and terrorized the inhabitants. In the year 1492 on the fifth of December, he was burned alive by an angry mob. Even still now whenever there's a full moon on the anniversary of his violent death, which apparently occurs, once every 32 years, the evil saint returns to Amsterdam to butcher as many adults and children as possible.

"Sint" should be experienced exactly like Dick Maas intended it: as a highly amusing and deeply satirical splatter flick! Everything about it is wondrously grotesque and over-the-top; the whole basic idea, the acting performances and (especially) the dialogs. The gory massacres, including those of innocent young children, are so tremendously bombastic that you simply cannot be shocked or offended by them. At least not if you have a slight sense of dark humor. The special effects and make-up are graphic and engrossing, but too obviously fake. Naturally there's isn't much room for genuine suspense in this type of story, but – as said – that clearly wasn't the director's intention and at least he widely compensates this small shortcoming with fast-paced action and black comedy.

The film became infamous and caused quite some controversy in The Netherlands long before its premiere in theaters because promotional film posters, depicting the mutilated Sint on his menacing horse, were hung in public areas out there for young kids to see. Quite a number of sour and prudish people were upset about this, but plenty of questionnaires proved that the children themselves weren't shocked at all. For Dick Maas, the whole controversy just turned out to be more than welcome and cost-free publicity. Well done.

December 5, 1492. Former bishop Niklas and his gang have gotten away with too much. The villagers have had it up to here with their antics, like looting and killing, so they kill them off. Yet for every year after that coincides with a full moon, they return as ghosts with murderous intent.

The film then inverts all the holiday traditions of the Netherlands: Sinterklass is not a jolly fat man, he's a killer with a sharp staff that he won't hesitate to use. His elves, the Zwarte Pieten, don't have faces blackened from the soot of chimneys, but instead they have been burned alive.

The last time the real Sinterklass came back was in 1968 and hundreds of people were killed, including the family of Goert, who is now a policeman. That traumatic event has been covered up by the authorities and the Catholic Church, who want Saint Nick to remain pure.

With another full moon coming, Goert tries to ban all Sinterklaas events and increasing police manpower, but he's laughed off and sent on leave. But of course, Sinterklass arrives and brings horror with him.

Directed by Dick Maas (The Lift, Amsterdamned), the film looks gorgeous, with a crushed black color palette and really intriguing angles. If a gore movie can be lush, then by all means, this is it. The scene where Sinterklass reveals himself to the children in the hospital, as well as a chase across the rooftops with Sinterklass on a horse, are just plain gorgeous. As we watch the evil saint fall through floor after floor of a building, then onto a police car, then stalk the hero, it really gets across just how frightening the villain is.

Even watching the film in its native language, I was easily able to define the storytelling and stayed interested throughout. It was interesting to learn of another Christmas myth and then see the more malevolent side of it.