Being an Indian, who watches a lot of movies from Bollywood as well as from Hollywood productions ; I must say as a Bollywood film it surprised me a lot! The concept and the execution is top notch and nothing ever seen before type! Kudos to the director and the producers to invest courageously in a project which might have simply become a failure! They took the risk and it worked out pretty amazing!

As the performances go, the debutant Abhimanyu (Son of Bhagyashree) has done an amazing job! I applaud him for choosing this kind of out of the box concept rather than some stereotypical Bollywood movie in his very first work in the industry. A GREAT START, I must say!

Radhika Madan, A Famous name in TV Show industry done an pretty awesome job too! Her action sequences as well as the conversation scenes were a pleasure to watch! She justified her character as 'Supri' fully.

Now comes to Gulshan Devaiah! What a performance man! Hands down! Doing two different personalities simultaneously is a daunting task and he played it brilliantly!

On the other side the Action sequences, editing, the retro style of soundtrack all mixed up pretty well with each other and was a perfect fit for the movie as well!

Although there are some pacing issues in it, especially in the middle parts but it is negligible as long as you are invested in the characters and the action scenes (There's a bunch of)!

Overall a really great film, something fresh and brilliantly executed! Go watch it and support these kind of movies more, they need the deserved exposure! :)

If Gulshan Devaiah came to me and told me that he wants my house I would willingly give it to him. Such is his magical charisma in the film (and in almost all) that I can't resist but start this review of Vasan Bala's second feature, Mard Ko Dard Nahi Hota (The Man Who Feels No Pain) by singing his praises despite it being a masterful work of superb cast performances (including the lead Abhimannyu Dassani and Radhika Madan). He comes second in the silly yet full-of-life plot that narrates the story of Surya (Dassani), a young man born with a life-threatning rare disease which prevents him from feeling any pain, who yearns to push evil off the face of at least his small world. Helping him in his venture are the characters that I am in love with. In addition to Devaiah, Mahesh Manjrekar is the man who helps in making the film more memorable as you end the film humming that one number from the indie, upbeat soundtrack that has stayed with you and reminded you of a time when fun was simply watching a video of your favourite kung-fu hero in a VHS tape at your wealthy friend's house. Mard Ko Dard Nahi Hota is brilliantly crafted by Bala with some of the best action choreography and music mixing I have seen all year this year. The humour is local, original, and bang-on ROFL material. If you are okay with shedding all threads of realism and watching a film for what it is (ultimate silliness) you will love this action comedy film more than I did. It is made for the generation of cinema consumers who would get it more if I use a certain term, so I will: it's on fleek. TN.

(Watched and reviewed at the 20th MAMI Mumbai Film Festival.)

The love for actions films from 80s Bollywood, South Indian films, Chinese and Japanese action films and even the present Hindi and American films can be seen not just from the references and homages but it can be felt from each shot and dialogues. As the protagonist sets out to stand against everything evil as he has learnt from the numerous action films from his childhood which is his only real interaction with the outside world we also see how much heart was behind making this film in a way that the story can be viewed as a metaphor for the making of this film itself. Hearing lines like "You are a Kamal fan and not Rajini fan which is why you have grown this beard and started drinking" in between all the madness going on in this film was a golden moment for me. Only a South Indian film buff would be able to find all the references and homages in this film. The action choreography is so well done in this film. Unlike usual Indian action films in which most of the Villain's goons are just there too run and roar here each of them made it felt like they know what they are doing. We also got a legitimate action heroine in Radhika Madan who did all her stunts herself and was an actual powerful and believable character. Making fun of cliches never felt this respectful before. I already want to see this film again and I want that sequel they promised at the end.