I remember pretty clearly the Cannon Films logo and its distinctive loud crashing sound accompaniment that introduced so many films I watched on video in my teenage years in the 80's. I never really thought too much about it until now, having seen this wildly entertaining documentary about these B movie mavericks. A few years ago I saw another similarly fun documentary about specific genre films, Machete Maidens Unleashed, a film also helmed by the same director Mark Hartley. Well, he sure has a knack for these things because this one follows a pretty similar template where we get to hear anecdotes from a large selection of people who were involved in the making of these flicks and, better still, many clips from a wide ranging assortment of the crazy, fun and stupid movies that Cannon became famous for. They were run by two Israelis Menahem Golan and Yoram Globus (neither of whom appeared in the documentary deciding in true Cannon style to make their own documentary on the subject simultaneously).

Their main decade was the 80's where they unleashed a huge number of low budget movies from horror to sexploitation to action and dance movies plus a whole lot in between. They were mainly known to be purveyors of schlock entertainment and with good reason as, despite releasing some acclaimed films and working with some important directors such as John Cassavetes and Jean Luc Godard, they were in the main responsible for straight-ahead genre pictures. Their films have a refreshing absence of any political correctness whatsoever and often feature copious amounts of nudity and violence, quite often at the same time as in the case of some notorious films in their catalogue such as Death Wish II (1982). Other times they featured laughably bad special effects like can be seen in Hercules (1983), some were blatant bandwagon jumpers like the hip hop dance film Breakin' (1984), they also released the notoriously sexy Bo Derek vehicle Bolero (1984) which so outraged MGM who had set up a distribution deal with them, they released the very silly sequel The Texas Chainsaw Massacre 2 (1986), while some of their output simply defies description like the extremely strange and silly musical The Apple (1980). They made many Charles Bronson and Chuck Norris vehicles; they discovered Jean Claude Van Damme and Dolph Lundgren and gave a platform for cult directors like Tobe Hooper to make movies. Things only started to go wrong in 1987 when they began to over-reach themselves and spent multi-millions on three box office disasters - the Sylvester Stallone film Over the Top which was about...arm wrestling; the superhero movie Superman IV: The Quest for Peace which was very expensive for them but not expensive enough to execute good enough special effects resulting in a laughable film; and finally Masters of the Universe, a film based on the popular 80's toys. So there is a dramatic story arc to this, which helps it function as a narrative but in the main it works so well simply because it is chock-full of entertaining clips from an array of movies and has some funny observations from the people involved. For any B movie lover this really is a must. And what's more, you are guaranteed to be led to seek out a few new flicks off the back of it.

...Answer: The Cannon Group! Started in Israel by Manahem Golan and his cousin, Yoram Globus, in the 1970s, with Golan being the more flamboyant creative force and Globus being more of the practical money man, they churned out schlock movies for about 14 years, about ten of those being in the United States for a global market. They were all about rushed scripts including Manahem making up scripts as he filmed, getting one or maybe two big names that maybe had seen better days to draw in audiences, lots of violence, bad special effects, and lots of sex and nudity. I always wondered where those trashy movies that Showtime would show late at night thirty years ago came from, and this documentary answered that question for me. The documentary moves at a rapid pace, with some of the stars that were in the films that have a good sense of humor about the whole thing such as Catherine Mary Stewart (The Apple) and Diane Franklin (The Last American Virgin) telling their stories.

Actually the documentary is a bit of a morality tale about the excesses of the 80's which pretty much overlays the time that the Cannon Group was based in the United States. Cannon Group was doing okay, even if they were making bad movies, until Michael Milken came along (remember, the guy who went to jail for what looks quaint compared to what the banksters did to tank the entire American economy 20 years later?) and managed to raise 300 million dollars for them. Accustomed to making films for just a few million dollars, sometimes less than a million, Cannon Group suddenly went on a spend and expand fest that ultimately brought them to bankruptcy. In the end they were filming and owned theater chains all over the world, and the colossal size of their failures brought them down almost exactly as the 90s began, after the cousins fought and split up and made competing films about the same dance - The Lambada - that opened the same day at the same theater in Los Angeles in 1990. Both films flopped.

Just the shear number of stories is astounding - how the cousins heading Cannon Group wound up making the Alan Quartermain movies with an actress they didn't even want because they confused Sharon Stone with "Romancing the Stone" - they actually wanted Kathleen Turner, how MGM, desperate for some product actually distributed Cannon's films for two years and, in the end, would rather sell out to Ted Turner than keep putting out such tripe, Bo Derek on the hilarious dialogue of "Bolero", and a pretty good director, Franco Zeffirelli, saying that he didn't know how to top himself after he made "Otello" for Cannon and how Manahem Golan was the only producer he'd ever met who truly understood the entire process of filmmaking and had absolutely nothing but praise for Cannon Group!

There have been many small film companies come and go, many from the Depression era in which everybody involved is dead, and their stories are probably are not nearly as interesting as this one. Watch this for the weirdness of it all and - if you are old enough - the nostalgia. One thing you can say about Cannon and the cousins that headed it - they had a willingness to take a risk that is entirely missing from filmmakers and especially their backers today. In fact, if character Max Bialystock from Mel Brooks' "The Producers" had been involved in film rather than the theater, and had been on the level and not an embezzler, he would have BEEN the colorful Manahem Golan, in my humble opinion. Highly recommended if you are interested in more recent film history.

Fairly interesting documentary charts the rise and fall of The Cannon Group, a company made popular by two Israeli cousins, Menahem Golan and Yoram Globus. For the most part, they didn't exactly make prestige films, but they did an uncanny job of cranking out scores of B pictures that were often quite entertaining, no matter if the level of quality wasn't the highest. After a number of years, they did leave an impression on the film industry, if only for their impressive knack for "pre-selling" movies, using no more than posters, titles, and concepts.

This reasonably entertaining production is from Mark Hartley, who's left his own indelible stamp on the industry by making these kinds of films; previously, he'd done documentaries on the cult and exploitation pictures of both Australia ("Not Quite Hollywood") and the Philippines ("Machete Maidens Unleashed"). Instead of having a narrator to sort of take us step by step through this tale, a series of sit down interviews play in quick succession, with various cast and crew of numerous Cannon efforts giving their thoughts on the movies that they made. Some of the interviews are quite engaging; people interviewed include Franco Nero, Sybil Danning, Laurene Landon (it's actually rather distressing seeing her mime setting fire to a copy of "America 3000"), Boaz Davidson, David Engelbach, Christopher Pearce, Richard Edlund, Tobe Hooper, Greydon Clark, Alex Winter, and others.

After "Electric Boogaloo" is over, one does feel that they've gotten a pretty vivid, "warts and all" picture of the Golan & Globus personalities. Golan was the real character: volatile, demanding, opinionated. Globus was the somewhat more restrained of the two, the one who handled more business oriented duties. Ultimately, their hubris caught up with them. Although they could on occasion produce something truly special ("Runaway Train"), they simply ended up getting too ambitious, and getting in over their heads.

Many of the interviewees do seem to hold Cannon product in quite a bit of contempt, which is unfortunate, because while much of it may not be Oscar baiting material, it was, most of the time, a good deal of fun. If you're like this viewer, The Cannon Group has given you many hours of viewing pleasure with their B grade action movies, thrillers, sci-fi, and horror features.

In the end, it's quite telling that Golan & Globus declined to participate in this documentary, instead beating it to the punch with their OWN non fiction feature titled "The Go Go Boys".

Seven out of 10.