This film reaches back and looks at history in a very intimate and personal way. Its young protagonist is shown, growing up, not quite understanding what is happening around him. His own life is the middle of a crisis, and suddenly he is in the middle of his own country's political storm. Gonzalo is one of the lucky ones, a young man who escaped the horrors while he learned how to become a better human being.

Andres Wood's direction is assured and gentle. He shows his love of his country, its main characters, his own history (there are strong hints at this being at least auto-biographical). His film is beautifully scored and photographed; in addition to having one of the best performances ever by a group of children. The movie moves along quietly, touching us, teaching us, and taking us along in an unforgettable study of humanity at its worst and its best.

In 1973, the Chilean military, under the direction of General Augusto Pinochet and backed by the CIA, overthrew the shaky socialist government of democratically elected President Salvador Allende. The coup led to the murder of 3,000 leftist Allende supporters and the detention of an estimated 250,000 political prisoners. Set against the background of the political instability that led to the crisis, Andrés Woods' Machuca is the moving story of the friendship between two boys from different sides of the social spectrum. Voted the most popular film at the 2004 Vancouver Film Festival and a major box-office hit in Chile, the semi-autobiographical film succeeds on both a human and a political level, the different elements coming together in a final conflagration.

Gonzalo Infante (Matias Quer) is a chubby, red-faced 11-year old who attends St. Patrick's private school. He lives in a wealthy neighborhood where his security is unquestioned, even though he knows that his mother Maria (Aline Kuppenheim) is having a long-standing affair with a well-to-do Argentine businessman. Gonzalo is shy and inexpressive and is often bullied at school. His life changes, however, when Father McEnroe (Ernesto Malbran), the priest who runs the school, opens St. Patrick's to those who are unable to pay, and Gonzalo develops a friendship with Pedro Machuca (Ariel Mataluna), a youngster who lives in a nearby shantytown. The inclusion of the marginal students causes unrest at the school. Fights break out between the two economic classes and parents hastily call meetings to voice their opposition to the "communist" priest. Gonzalo protects Pedro from the bullies and later visits Pedro in his home.

Aware of how much he has, Gonzalo accepts his status without feeling superior, though Pedro's family refers to him as "the snob". In a subplot, Pedro's seductive young cousin Silvana (Manuela Martelli) gives both boys an introduction to sexual pleasure. Though the relationship between the two boys develops naturally and their innocence allows them to see past the developing turmoil, the disturbing layers of adult events slowly begin to threaten their friendship. To pick up some extra money, the boys attend political rallies and sell Chilean flags to both the Nationalists and the Communists, but soon emotions escalate and street fights break out between far-left and far-right militants. The onset of revolt is signaled by the arrival of two jets flying towards the Presidential Palace, a seminal event in Chile's history that marked the end of their democracy.

One of Chile's most successful young filmmakers, Woods lets the facts speak for themselves, and Machuca makes its points with an emotional power unencumbered by bias or simplistic messages. While the upper middle class is shown as elitist and disdainful of the working class, Pedro's family is also not portrayed in glowing terms. In a drunken rage of victimization, the father tells his son that in a few years, "He (Gonzalo) will be working for Daddy....You'll be cleaning toilets." The children are portrayed as simply children without the false glow of larger-than-life heroism. Although Machuca may ultimately have more of an impact for Chileans who experienced the coup directly, its theme of young people caught in the swirl of events beyond their understanding resonates far beyond the details of this single tragic moment in history.

In 1973, in Santiago of Chile of the first socialist president democratically elected in a Latin-American country, President Salvador Allende, the principal of the Saint Patrick School, Father McEnroe (Ernesto Malbran) makes a trial of integration between students of the upper and lower classes. The bourgeois boy Gonzalo Infante (Matías Quer) and the boy from the slum Pedro Machuca (Ariel Mateluna) become great friends, while the conflicts on the streets leads Chile to the bloody and repressive military coup of General Augusto Pinochet on 11 September 1973, changing definitely their lives, their relationship and their country.

"Machuca" is a touching and realistic tale of friendship and coming to age in times of military coup in Chile. The Chilean director Andrés Wood made this fantastic movie following the political genre of Costa Gravas, but with a subtle drama with two children getting conscience of the fight of classes and the changes in their country by force and violence. The story in some moments seems to be a documentary so perfect the direction and acting are. The debut of the two lead actors, Matías Quer and Ariel Mateluna, is awesome: the eyes of the silent Matías Quer disclosing reality and the facial expression of Ariel Mateluna are amazing. "Machuca" is a highly recommended movie, and for the younger generations slightly see what happened in the 70's in South America and particularly in Chile. A few figures about Pinochet's dictatorship: 30,000 Chileans were killed; 100,000 Chileans were arrested without a trial; 22,000 students were expelled from the universities; 150,000 Chileans were exiled. My vote is ten.

Title (Brazil): "Machuca"